Get Ready for UBSI 2019!
This month, the studios of the Marriott Center for Dance will be full of young dancers honing their craft at the Ballet Summer Intensive. UBSI is a month-long training program geared toward ballet dancers aged 15 – 23. From June 17 – July 12 dancers will have a chance to learn from master teachers and will gain insight into what life is like as a ballet major at the University of Utah.
This year, UBSI welcomes an incredibly diverse and experienced group of guest teachers, including directors of companies and dance professors from esteemed dance programs across the country.
“We want to expose students who take the program not only to potential work opportunities and the real-world level of training they will be required to have in this business, but also to some of the best teachers out there,” said UBSI Director Maggie Wright Tesch.
UBSI’s guest artist list includes:
Susan Jaffe Former Principal with ABT, Dean of Dance, UNCSA
Lauren Anderson Former Principal with Houston Ballet
Kevin Thomas Artistic Director, the Collage Dance Collective
Katherin Baum-Hofer State Ballet School Berlin
Tamara King Principal of the Boston Ballet School, Newton Campus
Elizabeth Johnson Assistant Professor, University of Florida
Nick Mullikin Associate Artistic Director of Nashville Ballet
Anthony Krutzkamp Executive Director, Sacramento Ballet
Sara Webb Former Principal with Houston Ballet
Natalie Desch Dancer, teacher, choreographer
Along with University of Utah Faculty:
Maggie Wright Tesch Associate Professor Lecturer
Rob Wood Professor Lecturer
Justine Sheedy-Kramer Adjunct Assistant Professor
Luc Vanier Director, The School of Dance
Rosie Banchero Adjunct Assistant Professor
Christine Moore Adjunct Instructor
Pablo Piantino Assistant Professor
Jennie Creer King Adjunct Professor
The four-week intensive is designed to give students a taste of the curriculum offered by a University level Ballet Program, and to show what makes the U’s program unique. It is a great way to see if the U’s program is the right fit for training after high school.
“The biggest difference between our summer program and others is the amount of time spent in the area of creative research, which in our field is considered choreography” explains Tesch. “We bring in instructors who are experienced teachers of choreography and they spend time teaching the craft. The students aren't just choreographed on, as in most summer intensives, which has its value, and we do that as well, but we teach them the craft. That element of our profession is grossly overlooked in student's training below the university level.”
The summer intensive is meant to be rigorous, and to push dancers to learn and grow. Tesch explains that participants should come ready to dance, be prepared to be faced with a lot of new information and experiences in a short period of time. “Dancing in a university setting is just as challenging as any other pre-professional training program, but here, they will be working towards a degree. I hope they leave with a taste of how challenging our program is and how much they will learn and experience here, from classical work to contemporary, technique in both ballet as well as modern, African and jazz. We try to show what creating movement is. Not something to be afraid of, but another form of expression they should perhaps explore. Most young students are only ever told how to dance, or what steps to do and how.... We want them leaving with a small taste of how to find their own voice in dance through choreographic exploration and critical thinking skills.”